Kuka päivitti Suzanne Valadon?

Suzanne Valadon (French pronunciation: [syzan valadɔ̃]; 23 September 1865 – 7 April 1938) was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.

Valadon spent nearly 40 years of her life as an artist. The subjects of her drawings and paintings, such as Joy of Life (1911), included mostly female nudes, portraits of women, still lifes, and landscapes. She never attended the academy and was never confined within a set tradition or style of art. Despite not being confined to any tradition, she shocked the art world as the first woman painter to depict a male nude as well as less idealized images of women in comparison to those of her male counterparts.

She was a model for many renowned artists. Among them, Valadon appeared in such paintings as Dance at Bougival (1883) and Dance in the City by Pierre-Auguste Renoir (1883), and Suzanne Valadon (1885) and The Hangover (Suzanne Valadon) (1887–1889) by Henri de Toulouse-Lautrec.

Miquel Utrillo i Morlius (1862-1934) est un ingénieur, peintre, décorateur et critique d'art espagnol.

D'origine catalane, il est proche à ses débuts du modernisme catalan.

Comte Henri Marie Raymond de Toulouse-Lautrec-Montfa (24 November 1864 – 9 September 1901), known as Toulouse-Lautrec (French: [tuluz lotʁɛk]), was a French painter, printmaker, draughtsman, caricaturist, and illustrator. His immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce popular works of art from decadent affairs.

Born into the aristocracy, Toulouse-Lautrec broke both his legs during adolescence, leaving him with a stunted appearance. In later life, he developed an affinity for brothels and prostitutes that directed the subject matter for many of his works, which record details of the late-19th-century bohemian lifestyle in Paris. He is among the painters described as Post-Impressionists, with Paul Cézanne, Vincent van Gogh, Paul Gauguin, and Georges Seurat also commonly considered as belonging in this loose group.

In a 2005 auction at Christie's auction house, La Blanchisseuse, Toulouse-Lautrec's early painting of a young laundress, sold for US$22.4 million, setting a new record for the artist for a price at auction.

Erik Satie (oik. Éric Alfred Leslie Satie; 17. toukokuuta 1866 Honfleur – 1. heinäkuuta 1925 Pariisi) oli ranskalainen säveltäjä ja avantgardisti. Hänet tunnetaan ennen kaikkea humoristisista, kokeilevista ja perinteisiä oppeja parodioivista sävellyksistään ja kirjoituksistaan.

Satie ehti elämänsä aikana kokeilla ja yhdistellä musiikissaan paljon erilaisia tyylilajeja. Yhteistä miltei kaikille hänen sävellyksilleen on kuitenkin tietynlainen minimalismi ja naiivius. Teosten otsikot ovat usein hullunkurisia, kuten Véritables Préludes flasques pour un chien eli ”Todella veteliä preludeja koiralle”.^lähde?

Satien tunnetuin teos on pianosarja Gymnopédies, jonka valmistuttua hän alkoi nimittää itseään ”gymnopedistiksi”. Paitsi musiikistaan Satie muistetaan yhä myös omalaatuisesta elämäntyylistään.